POV, a cinema term for "point of view," is television's longest-running showcase for independent non-fiction films. Since 1988, POV has presented more than 300 of the best, boldest and most innovative documentaries to PBS audiences across the country. POV films are known for their intimacy, their unforgettable storytelling and their timeliness, putting a human face on contemporary social issues.Visit POV Website
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A portrait of painter Leon Golub whose massive canvases are intended to provoke viewers.
In August 2005, Travis Williams and his squad were sent on a rescue mission in Iraq.
Allen Hoe tells the story of a chance encounter with a stranger who knew his son.
In 2005, Specialist Justin Cliburn deployed to Iraq with the Oklahoma Army National Guard.
20/Nothing follows Evan Smith, a man who lost his left eye many years ago.
Bryan Wilmoth and his brother talk about reconnecting.
The Meier brothers' nursery faces the edge of the Garzweiler II coal pit.
Six stories from 10 years of StoryCorps.
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President Barack Obama posthumously awarded Rustin the Presidential Medal of Freedom.
Filmmakers Gordon Quinn and Jerry Blumenthal discuss their 1990 film Golub.
Pamela Yates returns to Guatemala to update her 1983 film When the Mountains Tremble.
Pamela Yates vuelve a Guatemala para actualizar su película Cuando Las Montañas Tremblan.
Filmmaker Joshua Oppenheimer on the making of his film The Act of Killing.
Anwar Congo demonstrates his system for killing while avoiding blood.
Anwar watches the clip "How to Kill with Less Blood" and reflects.
The text in this clip provides the historical background for The Act of Killing.
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A preview of the interactive "Whiteness Project." View it now at pbs.org/pov/digital.
Indonesian death-squad leaders dramatize their roles in genocide
Meet Mayor Ed Koch, the quintessential New Yorker.
The son of a woman with early-onset Alzheimer's reconstructs her memories
A portrait of the four doctors in the United States providing late abortions
An unprecedented look at the dark underside of oil development
A filmmaker visits his childhood home: Ain el-Helweh refugee camp
Does sentencing a teenager to life without parole serve society?
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